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Showing posts with label Travels. Show all posts
Showing posts with label Travels. Show all posts

Wednesday, March 28, 2012

India in 1 day (NY Times)

March 23, 2012

India in One, Two or Three Weeks By GUY TREBAY

THE connection between travel and a Coco Chanel dictum may not be that obvious. The French designer once purportedly said that a woman should stop before leaving the house, gaze in the mirror and then remove one piece of jewelry. The operative principle was to simplify.
In travel it is seldom acknowledged how routinely people pile on excess. And while this may not hold true on cruises or Club Med, where the biggest daily challenge is finding the proper level of SPF, among independent travelers the tendency is to take on countries, regions, continents, galaxies.

From the placid vantage of a laptop, the world looks manageable. In real time, the degree of travel difficulty unfolds in agonizing increments. Did I really think I could fit all that into a week? I did.

Across almost three decades of travel I’ve often noted the general custom; I’ve inflicted it on myself. And it occurs to me that in few other places are Chanel’s words of advice better applied than India, a country my passports inform me I have visited more than 20 times. Assuming, perhaps, that the first trip to that compelling and bewildering country will be their only one, friends cram itineraries full to the point where misery is a guarantee. Thus my advice to pals heading to South Asia is to appraise the itinerary with a ruthless eye and then, long before heading to the airport, strike something off.

First-timers to India tend to be guided unvaryingly (and sensibly) around the so-called Golden Triangle (Delhi/Agra/Jaipur). This route, straightforward enough on paper, requires some discernment to get right. A policy of less is more is always sensible in India, in order to limit the shock the place inevitably delivers to an average Westerner’s system.

A question often posed is whether a week is enough time to cover the birthplace of three great faiths — Hinduism, Buddhism and Jainism. The answer, reasonably, is no. But travelers are not reasonable people, and it is distinctly possible to absorb the essence of India in CliffsNotes form.

The One-Week Trip

It is useful to start in the capital. A city created, like great geological formations, of time-sculptured and overlapping strata, Delhi is seven cities at least and almost as many civilizations collapsed, accreted and jumbled into one.

Despite its shambolic beginnings and ambient tumult, Delhi is a pleasing city to visit, in part because it retains swaths of forest greenbelt — its broad avenues, its traffic roundabouts and other useful systems bequeathed by the imperial nannies of the British Raj. Compared with the horn-honking frenzy of industrial tech centers elsewhere in the country, Delhi remains notably civilized. It is, as is often noted, Washington, D.C., to Mumbai’s New York.

START IN DELHI

A week in India, I tell friends, axiomatically begins with two days in the capital (for simplicity’s sake I am referring to time spent in-country; nearly a full day is lost traveling to India from the East Coast of the United States). And, if budget permits, I advise them to book into one of the city’s fine, though pricey top-tier hotels. There is a reason for this. Delhi is ever sprawling, and the premium you pay at hotels like the Taj Mahal or the Oberoi for a central location and for “amenities” like potable tap water (even ice is safe in such places these days), knowledgeable concierges, well-trained staff and, yes, consistent electrical service is repaid a thousandfold by reduced time in traffic and a placid digestive tract.

Because I believe that denial is the only plausible treatment for jet lag, after the usual 1 a.m. arrival and witching-hour check-in, I tend to sleep what few hours remain before dawn, setting the alarm for breakfast so that I can launch myself into the first day.

Some intrepid types navigate the city on the newly extended and, from all accounts, efficient Metro. In the interest of time-saving, I just flag down a cab at the hotel taxi rank. In most Indian cities the beloved Hindustan Ambassador taxi, its buglike design little altered since 1958, has begun to vanish, replaced by more modern vehicles. In Delhi, though, the Ambassador remains a reassuringly constant presence. No less comforting is the off-meter flat rate many drivers remain willing to accept. While this rate is subject to change at any time, in my experience it has held surprisingly steady for more than a decade: 1,000 rupees (or about $21 at current exchange rates) hires a car for 50 miles or eight hours.
While every guidebook instructs visitors to start out by seeing the lanes of Old Delhi, the Mughal sites like the Red Fort and the colossal mosque known as Jama Masjid, I gave up on the noise and crowds and filth of Old Delhi long ago. I advise friends to save their awe instead for the next phase of the journey, for Agra and the Taj Mahal, for Emperor Akbar’s little-visited tomb at nearby Sikandra, and for Fatehpur Sikri, the evanescent red sandstone city that lies about 20 miles down the road from the great and, in my impious view, overrated shrine to love.

But I’m getting ahead of myself. Back in the capital on one’s first day in the country, I recommend bypassing the old city to have a driver convey one instead in early morning to Rashtrapati Bhavan, now the presidential residence, though built for the British viceroy and thus a cornerstone of Sir Edwin Lutyens’s New Delhi and symbolic centerpiece of the British Raj. Heightened security has made it difficult to experience this complex of government buildings except at some distance or through gates. So I tend to have the car park on a side road while I stroll the broad Rajpath, which leads downhill from Raisina Hill to India Gate.
Few remnants of the colonial presence in India survive as nearly intact as does Rashtrapati Bhavan; fewer still evince comparable architectural modesty — a notable feature for an array of buildings designed to express imperial might.
This may be the place to note the presence of animals in urban Indian settings, the cows that still turn up on New Delhi medians despite laws that ban their presence; the white stallions trotting through traffic on the way to a wedding ceremony; the goat flocks being herded along the four-lane blacktop in Tamil Nadu. At Rashtrapati Bhavan, the wildlife takes the form of impertinent monkeys that fling themselves across the facades of the red sandstone pavilions, tails looping from domed chhatris, prehensile thumbs hitched on to crevices of pierced-sandstone jali screens as they nonchalantly delouse themselves.
From Raisina Hill and the presidential residence, I typically have my taxi drive on to the National Museum, whose survey collection provides a fine grounding for visitors in need of a playbook to India’s cultural and religious multiplicities. After this, I have a late lunch at one of several downtown outposts of a restaurant called Nathu’s Sweets, a Delhi institution noted for its Bengali home-cooking and unctuous desserts.
The Nathu’s branch I frequent occupies a corner of the antiques enclave called Sunder Nagar Market, and thus is convenient for a leisurely afternoon tour through the Aladdin’s-cave-like emporiums there, places like Ladakh Art Gallery or Bharany’s, a shop whose presiding, though occasionally absent spirit is C. L. Bharany, a wizened ancient with a sharp sense of business and an expansive philosophy of life.
That’s plenty for one day, especially on little sleep: head back to your hotel, I tell friends. Order a club sandwich and watermelon juice and sack out.
On Day 2, I tend to set out early for South Delhi and for the austere and distinctly phallic minaret at Qutb Minar, or else spend time at the seldom-visited Sikh Gurudwara Bangla Sahib, or at an obscure ruins near the woodlands of Mehrauli known as Jamali Kamali Masjid.
Few locals even know of this mosque complex named for a Sufi saint interred beside his male lover. I’d never heard of it before being taken there by Bim Bissell, the irrepressible matriarch of the family behind the Indian handicrafts emporium chain Fabindia.
On our visit, Bim mentioned to me offhandedly that when her children were young, the family customarily packed food for al fresco meals at Jamali Kamali. It seemed somehow characteristic of both Bim and her city that it was a natural thing to picnic with your children at a tomb.
After my morning outings, I tend to make my way to Basil and Thyme for lunch. This simple and surprisingly inexpensive cafe is in a bungalow in Santushti Shopping Complex, itself set behind the walls of New Wellington Camp, Air Force Station, a shopping complex much favored by Delhi’s retail-mad leisure class.
Here, the chef, Bhicoo J. Manekshaw — now closing in on 90 and retired from the stove — continues to devise menus offering fresh, unfussy fare best categorized under the rubric of what was once called “butler food” in India. Over lunch of cold-poached salmon or roast chicken with black mushroom stuffing, washed down with fresh lime soda, it is easy to forget that outside Santushti’s gated walls is a tumultuous city of 14 million and that one is not just passing time before catching the 5:05 to Cos Cob.
After lunch I poke around at Santushti, stopping in at Anokhi to see the new offerings produced by this Jaipur-based company specializing in hand-block printed fabrics, and at Tulsi, the small shop run by the designer Neeru Kumar. From there I move on by taxi to Baba Kharak Singh Marg, an avenue that juts like a radial spoke from the central roundabout of Connaught Circus.
Baba Kharak Singh Marg is among the last remaining streets in India where it is possible to find an array of government-sponsored emporiums, places that, in a drowsy and state-subsidized way, promote the specialist crafts that are fast disappearing from the Indian scene. From Andhra Pradesh comes iron and silver filigree work called Bidriware; from Orissa, paintings on palm fiber; from Rajasthan, white-on-white patchwork appliqué; from Assam, the naturally golden silk called muga; from Kashmir, the lacquerware that is pretty inescapable in India or, for that matter, at ABC Carpet & Home.
If fatigue threatens, this experience can be condensed by stopping in at Kamala, a well curated omnibus crafts shop run by the Crafts Council of India, at the end of the state shop parade.
(Of course, if one happens to be in Delhi on a weekend, it is worth ditching the country club lunch at Santushti to splash out on the buffet at the Threesixty restaurant in the Oberoi hotel. The most steroidal bar mitzvah feast has nothing on the Oberoi’s buffet, a prime example of the notion that in India too much is hardly ever enough — although, of course, for much of the population too little is a grim and permanent condition.)
Fortified by lunch, and as a preparation for the journey to Agra, I urge friends to head straight for Humayun’s Tomb. For decades this monument was a travesty — its fountains and watercourses barren, its lawns moth-eaten, its ancient palisades in peril of imminent collapse. Wasps had built vast bulbous nests in the pointed Mughal archways; shanty dwellers had built their own improvised nests in crevices of the monument walls.
Though evocative in decay, Humayun’s Tomb is no less so today, restored with funds from the Aga Khan Trust for Culture, and in all of Delhi or even of India, there can be few places lovelier than Humayun’s Tomb at sunset, when the waning light of day outlines the tiled dome and eagles hang in the thermals above the nearby Yamuna River.

ON TO THE TAJ MAHAL
From Delhi, I typically hire a car and driver through the hotel travel desk and head to Agra. And while I would prefer not to spend a night in this shamefully polluted city, this is the only proper way to visit the Taj Mahal.
What I mean is that the Taj Mahal seen in the glaring sun of an Indian midday, as happens when you reach it after arriving from Delhi, can seem as ghostly blank as an overexposed photo. Seen at dusk or dawn, however, the structure’s marmoreal surface magically absorbs and reflects the ambient colors of sky and clouds and even a hint of the orangy pollution belched out by nearby industries.
Upon arrival at Agra on one’s third day in India and having risen to see the great monument near dawn, it is usual to press on to Jaipur on a route that takes you first to Fatehpur Sikri, among the most evocative ruins in India.
Unlike the Taj Mahal, which impresses but rarely moves me, this city abandoned in the 16th century is a deeply atmospheric place, rising as it does from farm fields in the middle of seemingly nowhere. A complex of meeting halls, women’s quarters, courtyard gardens and stables for elephants, Fatehpur Sikri was occupied for a mere 14 years before a shortage of water forced its abandonment. Like all lost cities, it is a screen onto which one is free to project any narrative of your choosing. It is a poetic place, as even the wild parrots scribbling their vivid green arabesques above the old minarets seem to know.
From there I continue on to Jaipur, the fabled Pink City, which is, by Indian standards, not that old (17th century) and by any reasonable estimate, not so roseate, either. Still, Jaipur must be seen for at least three reasons: the City Palace; a hilltop redoubt outside town called Amber (pronounced Amer) Fort; and Gem Palace, which is not a palace at all.
Even an hourlong tour of City Palace, a multistory ancestral home of the high-living Anglophile Maharajahs of Jaipur, provides a tantalizing peek into the voluptuary lives of the acquisitive royals, who collected miniatures by the yard, silver by the ton, carpets seemingly by the mile.
At Amber Fort, the ruling Kachhawa clan lived and ruled from a hilltop redoubt of red sandstone and white marble, where the fused influences of Hindu and Muslim architecture are only part of the pleasure of place. The fort is best reached on elephant back (a bit of tourist hokum that is well worth it) and is notable both for interiors that feature the latest technological innovations of earlier ages — cascading water running down marble ramps provided an early form of air-conditioning — and views of the barren Aravalli range.
It makes sense to save Gem Palace for last because it is the sort of place that yields up its secrets slowly. Chambers filled with cases of jewels and silver lead into each other, and serious shoppers will often find a member of the Kasliwal family — which has run the place for generations — beckoning them into a back room for glimpses of treasures not kept on public view.
Gem Palace is one of those purveyors passed around like a secret among cognoscenti, though realistically it’s not much of a secret. Eventually everyone from the philanthropist Anne Bass to Giorgio Armani to Aunt Tillie has wandered in at some point. The greater challenge is getting out without losing your shirt.
That then is the one-week plan. You might return to New Delhi and fly home, or else stay on and — doubling the available time — use this same basic format for an itinerary easily expanded to encompass places a bit farther afield. The following itineraries can be managed in chunks of two to three days and accordingly the first stop after Jaipur is Jodhpur, my favorite among the cities of Rajasthan.
Two Weeks is Better

DIVE INTO RAJASTHAN
Jodhpur, like the other cities noted below, can probably be adequately enjoyed in two days and is an easy hop by plane from Jaipur via Delhi or Mumbai and an easy place, as well, in which to find hotels at every price. I have tested them all, from the funky stucco pavilions of Ajit Bhawan to the businesslike Hari Mahal. There is, though, only one ideal place to lay one’s head in this desert outpost, and that is the Indo-Saracenic pile called Umaid Bhawan Palace.
Last of the mega-palaces built over a century-long building spree by Indian maharajahs, Umaid Bhawan is sometimes likened to a Victorian railway station and invariably said to have been built as a charitable work-relief program for a region beset by a prolonged and killing drought. Believe what you like, the place can be reliably said to belong to its resident owner, the Oxford-educated Gaj Singh II, 64, the Maharajah of Jodhpur, who inherited the immense pile at age 4.
A vast and haunting palace, replete with Bohemian chandeliers, gilt tête-à-têtes and taxidermied trophies bagged during ancient shikars, Umaid Bhawan sits atop a low hill and overlooks another of Gaj Singh’s properties, the great citadel of Mehrangarh Fort.
Umaid Bhawan is now operated in partnership with Taj Hotels Resorts & Palaces, and it must be said that a certain amount of its quiddity was lost in hotel-chain translation. Still, the palace retains its time-stopped aura and, perhaps alone among the great Rajasthan palaces, easily conjures an era when palace ladies led segregated, gossipy lives in the secluded zenana, when the gallants of the legendary Jodhpur polo teams played fierce chukkers and returned to drink stiff whiskies in a bar where, to this day, a stuffed black bear stands upright with a drinks tray balanced in its paws.
A visit to Jodhpur logically starts with a trip to the hilltop citadel of Mehrangarh Fort, where, up a series of ramps and past the studded elephant gates is a historical fortress museum almost without parallel in India.
Gaj Singh II was an early adopter of Western-style curatorial practices, a welcome anomaly in a country so stuffed with antiquities that treasures are often carelessly left by their owners to be devoured by white ants or to rot in the dust. The Mehrangarh collection includes silver elephant howdahs, Jodhpur school miniatures, arms and armor, and textiles. The fort itself, though massive, stupendous and ominous when seen from afar, is surprisingly intimate and homey within: a series of mirrored chambers of pleasure and rest.
From the sinuous ramparts of Mehrangarh there are fine, expansive views of the surrounding Thar Desert and — barnacled to the flanks of the fortress — the traditional houses of the city’s Brahmins, all painted Krishna blue.



TAKE A DRIVE TO UDAIPUR



From Jodhpur I go on to Udaipur, again booking a driver and car for a road trip that Google Maps pegs at precisely five hours and 20 minutes. At a guess, the geniuses at Google Maps have never actually seen an Indian road. I myself find a useful rule of thumb when in India to double the estimated road time and average things out.



Winding slowly uphill through sere desert and a region inhabited by a pacifist tribe called the Bhils, the drive from Jodhpur eventually crests the Aravallis before descending into a startlingly verdant landscape of cultivated fields.



Only by traveling overland are you able to visit the Jain Adinatha Temple at Ranakpur, an ineffable monument of marble whose hall contains either hundreds or thousands of intricately carved columns, depending upon whom you ask. It is an austere place, one whose ecstatic carvings create an atmosphere of quietly humming spiritual intensity, something like a fission lab for souls.



A fine (and, essentially, the only) stopping-off point at Ranakpur is Maharani Bagh Orchard Retreat, a former country house still in the family of the Maharajah of Jodhpur. Set amid gardens and fruit groves, the hotel is right off a main artery where, come evening, one can watch the traffic of barefoot pilgrims heading toward the temple as red-turbaned Rabari tribesmen head the opposite way with their herds of sheep or goats.



The end point of this particular road trip is Udaipur, a lovely though to my mind essentially dull spot whose chief points of interest are the finely conserved City Palace of Maharana Udai Singh II, the renowned Taj Lake Palace hotel and the ritzy Oberoi Udaivilas overlooking Lake Pichola from shoreside just outside of town. Udaipur is a great place to unwind, though. For those lucky enough to put up at Lake Palace, there is a ready excuse for enforced idleness, since the only way to reach the hotel or leave it is by boat.



Three Weeks, Divine



HEAD TO THE DESERT



For more leisured travelers, and bucket list types, I advise a longer journey, one that heads from Udaipur, by road, for the majestic destination of Jaisalmer, a desert city that is among the oldest of Rajasthan’s fortress citadels, a once sleepy place whose tourist potential has been exploited as ruthlessly as its conservation has been sadly allowed to decline.



Conservation groups are actively working to preserve this fragile monument, where ancient havelis, or merchants’ houses, with lacelike screen walls of wood or stone crowd narrow lanes. Their main task is to keep the fortress walls from outright collapse. In doing so, however, they hope to preserve the ineffable stillness of this golden walled island surrounded by the sand sea that is the Thar Desert, historically known as the Land of Death.



One can easily spend two days or more wandering the narrow lanes, where buildings crowd in on one another (and where pedestrians used to have to yield to cows). Time has a funny way of seeming to stretch infinitely before one in Jaisalmer, during days spent visiting the jewel-box Jain temples dedicated to Rishabhdevji, Sambhavanathji and Ashtapadi, idling on rooftop cafes drinking lassi or scanning the desert from the fortress walls.

STUMBLE INTO AN OASIS
And when you have had enough of that, you can move on to other and even more obscure desert cities, my favorite among them being the rough-and-tumble city of Nagaur, home to a fine citadel
complex known as Ahhichatragarh-Nagaur Fort.
A 200-mile overland journey from Jaisalmer, Nagaur is a challenge to take up only after getting your travel legs in India. The drive is rough and dusty, and when years ago a woman friend and I first fetched up there, dust caked our clothes and filled every uncovered orifice, and our fillings had nearly shaken loose from our teeth. We swore bitterly as we banged on the padlocked fort doors, like Dorothy in Oz, until the gates creaked open and a turbaned figure beckoned us inside.
And there in a courtyard not far from a 17th-century stable block, we found a cluster of luxurious tents, their walls made from hand-block printed cottons, their camp beds covered in thick quilts, the private baths fitted out with showers that rained hot water.
If it is true that in India a traveler is often tested by the tumult, the hustle, the dirt, the pollution, the first-world prices and sometimes second-rate service, the inevitable upturned palms and the overall din, it is also the case that as the advertising campaigns promise, India is in fact incredible.



How else to explain the experience we had of emerging from our private showers at Royal Camp, Nagaur Fort (open only from October to March) to find that we were the only guests at the fort, the sole patrons being served cocktails by a freshly kindled wood fire in a broad Mughal courtyard under the cold black dome of desert sky?



A delicious Rajasthani thali meal was presented on a table set up in an ancient pavilion. Perhaps too much terrible Indian wine was consumed. In our individual tents the bedcovers had been turned down and desert chill staved off by hot-water bottles discreetly tucked into the beds. Delirious sleep overtook us. When we awoke, we found that our plans to stay just a night had suddenly changed.



And that is something I forgot to mention, how in India time is oddly elastic, everything fraught with challenge and wonders so inevitable that it makes sense to allow for enormous changes at the last minute (to swipe Grace Paley’s wonderful phrase). In India the plans you made at home are seldom the final word on the matter. Do yourself a favor and keep that in mind.



IF YOU GO



DELHI



MODERN AMENITIES, LUXURY SERVICE



Taj Mahal Hotel, New Delhi (1 Mansingh Road; 91-11-2302-6162; tajhotels.com).



Oberoi, New Delhi (Dr. Zakir Hussain Marg; 91-11 2436-3030; oberoihotels.com/oberoi_delhi).



IMPERIAL MIGHT



A walk down the Rajpath will take you from Rashtrapati Bhavan (presidentofindia.nic.in/rb.html), the presidential residence, to India Gate.



ALADDIN’S CAVES



Sunder Nagar Market (Mathura Road, south of Purana Qila).



Nathu’s Sweets (2 Sunder Nagar Market; 91-11-2435-2435; nathusweets.com).



Bharany’s (14 Sunder Nagar Market; 91-98728-01419; bharanys.com).



SOUTH SIDE



Gurudwara Bangla Sahib (Cannaught Place, at Ashok Road and Baba Kharag Singh Marg; banglasahib.org).



Jamali Kamali Masjid (in the archaeological village in Mehrauli).



Baba Kharak Singh Marg (off Cannaught Circus).



Santushti Shopping Complex (New Wellington Camp, Air Force Station, Race Course Road).



MUGHAL MONUMENT



Humayun’s Tomb (at the end of Lodi Road at Mathura Road)



AGRA



The Taj Mahal. Sunrise or sunset are the best times to take in the famous white marble mausoleum.



Fatehpur Sikri (Uttar Pradesh, Agra District).



JAIPUR



City Palace (Kanwar Nagar, Tripolia Bazar; 91-141-408-8888; msmsmuseum.com).



Amber Fort (Delhi-Jaipur Highway, 20 minutes north of Jaipur).



Gem Palace (M.I. Road, near Mahavir Marg; 91-14-1237-4175; gempalacejaipur.com).



JODHPUR



Umaid Bhawan Palace (off State Highway 61; 91-29-1251-0101; tajhotels.com).



Mehrangarh Fort (P.B. No. 165, Fort Road; 91-29-1254-8790; mehrangarh.org).



UDAIPUR



Adinatha Temple (about 3 hours, 50 minutes south of Jodhpur in Ranakpur).



Maharani Bagh Orchard Retreat (off State Highway 32, Ranakpur; 91-22-6150-6363; nivalink.com/maharanibagh).



City Palace (City Palace Complex, off Battiyanni Chohtta, northeast Lake Pichola).



Taj Lake Palace (Lake Pichola; 91-29-4242-8800; tajhotels.com).



Oberoi Udaivilas (91-29-4243-3300; oberoihotels.com).

NAGAUR
Ahhichatragarh-Nagaur Fort (91-29-1251-2146; mehrangarh.org/t_nagaur.htm).

Royal Camp Nagaur Fort (91-22-6150-6363; nivalink.com/campnagaur).

GUY TREBAY is a reporter for The New York Times.





Saturday, December 24, 2011

Three Nation Trip in December 2011

Though in KL for 3 days I could only manage a quick hour's visit to the Petronas.
It was late in the night and thankfully the towers were glowing like sensuous icons to attract aliens.
I placed the camera on the ground and used the timer.

                                          Atop the new Singapore landmark - Marina Bay Sands.  Once again hardly got anytime to see the city (what to see?).  But clearly its a nice and foreigner friendly place.

So here I am , about to land in Colombo.  I couldnt resist the thought if this is how Hanumanji would have seen the coastline :-) Anyway, the short time I was there in the Sri Lankan capital, it was clear that its a cleaner and healthier place.  The population is small but people appeared to be friendly to Indians (?).

 
The Indian ocean was a nice greenish blue but crystal clear.  But no bathers or swimmers.  What a far cry from Mumbai's beaches where we can find intrepid souls splashing around at all hours of the day.  And let us not even mention the water quality.


A busy street in Colombo.  Freshly painted building.  Charming green!


The Presiding Buddha of the Ganga Ramaya Temple. Pleasant place and extremely visitor friendly.  The best attraction of the place is of course the baby elephant whose stuffed daddy has a place of honour in the premises.  The baby though kept me rivetted for several minutes with its playful restlessness. 

Friday, December 17, 2010

Barcelona

December 16, 2010


Barcelona’s Other Architect, DomènechBy ANDREW FERREN

IT’S sometimes hard to have a conversation about Barcelona that does not include the name Gaudí in it. The world is so gaga for Antoní Gaudí — the genius of Catalan modernisme (the Spanish version of Art Nouveau) whose early 20th-century buildings are virtual emblems of the city — that most of his modernista contemporaries go little noticed by tourists.

But if you’re like me, and don’t much like the structural theatrics and unbridled mannerism of Gaudí’s buildings, check out those of Lluís Domènech i Montaner (1849-1923), an under-sung hero of the movement. A journey to the three places in Catalonia where his buildings made a splash a century ago — including Barcelona — is made easier by following the Barcelona Modernisme Route, which was created in 2005. A guidebook and map of the route can be bought for 18 euros, or $23.50 at $1.31 to the euro, at several kiosks around the city, and can be viewed online at rutadelmodernisme.com.

Domènech is often hailed as the most modern of the modernistas, notably for his mastery of lightweight steel construction. Unesco, at least, doesn’t give him short shrift, having designated his most important buildings in Barcelona a World Heritage Site (just as it did with the works of Gaudí). Multifaceted and astonishingly productive, Domènech wore many hats. Besides being an architect and professor (Gaudí was his student at Barcelona’s School of Architecture), he was also a prominent politician and Catalan nationalist and a pre-eminent scholar of heraldry.

For architects, Barcelona at the turn of the 20th century was the right place at the right time. Nineteenth-century industrialization brought tremendous wealth, and between the Universal Exposition of 1888 (for which Domènech created two of the most noteworthy buildings) and the construction of the Eixample — the vast grid of streets laid out in 1859 to decongest the old city — there was a heady mix of civic pride and social ascension in the air. The rising middle class was eager to make its mark on the rapidly growing city, and the new modernista style seemed perfectly suited to this task, rife as it was with neo-Gothic motifs that linked the newly minted mercantile titans to Barcelona’s rich medieval history.

Robert Lubar, an associate professor at New York University’s Institute of Fine Arts, points out that, much more so than Gaudí, Domènech was influenced by the English Arts and Crafts movement of Ruskin and Morris. “He believed that ‘the complete interior’ served some kind of ethical purpose,” Professor Lubar said.

Domènech’s most “complete interior” is the 1908 Palau de la Música Catalana, a stunning concert hall miraculously shoehorned into a small lot at the junction of the old city and the new. Often likened to a conductor, Domènech knew how to get the best performance from the sculptors, ceramicists and woodworkers who executed his designs. Indeed, nearly every surface inside the auditorium has been adorned with color, texture and relief and, because the walls and ceiling are made almost entirely of stained glass, colored light.

Atop the balcony’s mosaic-clad columns, bronze chandeliers tilt like sunflowers toward the stained-glass sun that seems to float in midair from the ceiling’s inverted dome. The astonishing expanses of glass were achieved with the use of structural steel — invisible beneath so much decoration.

The other pillar of Domènech’s World Heritage status is the Hospital de la Santa Creu i Sant Pau (Hospital of the Holy Cross and Saint Paul), set on 40 park-like acres at the northern edge of the Eixample. Heeding the latest theories of hygiene, Domènech envisioned a complex of 20 pavilions to ensure ventilation and access to sunshine. He ingeniously sunk the corridors and service areas of the hospital underground so that patients and visitors in the pavilions and gardens above would feel as if they were in a village — a fantastical one with myriad domes, spires, finials, sculptures and mosaics. Currently, the 12 pavilions Domènech built (his architect son completed the last eight) are being restored; some will become a museum of Modernisme and others offices for humanitarian organizations like Unesco. Until its scheduled opening in 2016, hard-hat tours are offered daily.

With the Modernisme Route’s map and guidebook in hand, you can lead yourself around Domènech’s residential structures in Barcelona, most of which are clustered between the Passeig de Gracia and Carrer Girona. You can stay in one of the grandest of his palatial homes, Casa Fuster, now a five-star hotel, at the top of Passeig de Gracia. In the street-level Café Vienes, you can sip Champagne and admire a vaulted ceiling and a forest of marble columns.

Near the port is the Hotel España, which, though not built by Domènech, had its restaurant, La Fonda España, renovated by him a century ago. It’s just been spruced up and shines anew with Domènech’s strappy wood and ceramic wainscoting, murals by Ramon Casas and a sculptural fireplace by Eusebi Arnau.

Want to see more? Eighty miles south, in the town of Reus, is Casa Navàs, another “complete interior,” which surrounds you the minute you step into the stair hall — a tiny indoor garden of flowers and vines wrought in mosaic, stained glass and carved stone. Throughout the house, the capital of each column features a different floral motif. Most of the rooms contain their original, exuberant furnishings by master craftsmen like Gaspar Homar.

On the outskirts of Reus, the Pere Mata Institute, a mental health hospital begun by Domènech in 1898, was meant to counter the tradition of keeping the mentally ill out of sight. Today you can visit one of the six pavilions, the one that housed “rich and illustrious men,” as the guide explains on the 90-minute tours. The sumptuously decorated men’s pavilion has a billiard room, grand salon and formal dining room. But lest it be confused with a typical men’s club, the delicate-looking leaded glass windows were reinforced with iron to keep patients in.

Upstairs, the rooms contain many of their original furnishings, including clever armoires with basins (and running water) built into them. There were also suites with office spaces (and secretaries) for those patients who still had empires to run.

About 50 miles northeast of Barcelona in the coastal town of Canet de Mar, one can see three charming structures in the space of about 100 yards. Domènech’s mother was from the region and he also had a home here, which is now a museum that displays his drawings and original furnishings. Across the street is the Ateneu Canetenc, once a cultural and political club and now a library.

Perhaps the most satisfying stop in Canet is Casa Roura, a little fortress of a house that is now a restaurant. The facade’s bravura brickwork creates a lively play of light and is further animated by turrets, parapets and gleaming roof tiles glazed in cobalt blue and canary yellow. The old double-height salon with its baronial fireplace is now the main dining room. On par with the rich architectural surroundings is the amazing lunch menu (13.50 euros) — especially the seafood fideua (like paella, but made with pasta instead of rice).

The tour ends where Domènech’s love of medieval architecture may have begun: at his mother’s house. (One of them anyway — the Castell Santa Florentina in the hills above Canet has been in the Montaner family for centuries.) Around 1909, Domènech expanded the original fortified stone house, deftly mixing his neo-Gothic riffs with authentic Gothic architectural elements like columns, portals and arcades “harvested” from a defunct monastery into a modernista masterpiece, one that quite literally spans the ages.

IF YOU GO

IN BARCELONA

For 18 euros, or $23.50 at $1.31 to the euro, a Modernisme Route pack of two guidebooks with maps and discounts for many sites can be purchased at special Modernisme tourist offices in Plaça de Catalunya, Hospital de Sant Pau and Pavellons Güell. Information: www.rutadelmodernisme.com.

Palau de la Música Catalana, Palau de la Música 4-6, (34-90) 247-5485; www.palaumusica.cat. A tour is 12 euros.

Hospital de la Santa Creu i Sant Pau, San Antoní Maria Claret 167, (34-93) 291-9000; www.santpau.es.

Hotel Casa Fuster, Passeig de Gracia 132, (34-93) 255-3000; www.hotelescenter.es.

Hotel España, Sant Pau 9-11, (34-93) 318-1758; www.hotelespanya.com

IN REUS

Tours of both the Pere Mata Institute and Casa Navàs can be arranged on specific days through the Reus tourism office.

Reus Turisme, Plaça del Mercadal 3, (34-97) 701-0670; turisme.reus.cat

IN CANET DE MAR

Casa Museu Lluís Domènech i Montaner, Xamfra Rieres Buscarons i Gavarra, (34-93) 795-4615; www.canetdemar.cat. Entrance fee: 2 euros.

Casa Roura, Riera Sant Domènec 1, (34-93) 794-0375; www.casaroura.com.

Castell Santa Florentina is a private home but tours can be booked some Saturdays and by appointment. Riera del Pinar s/n, (34-609) 813-339; www.santaflorentina.com.

Tuesday, November 30, 2010

Hong Kong (November 2010)

Visting Hong Kong for the first time.  As a matter of fact this is first time I have traveled east of India.  HK is a quite a charming town, a symbol of what capitalism can do for man and also perhaps that all this prosperity, the infestation of high end brands are about all that it can provide.  HK people are extremely friendly and while English speaking is a problem on more than an ocassion when I asked somebody for directions and they either didnt follow me or were not able to tell me ensured that someone who could was brought forward to help me out.  I am displaying three pictures here.  The first one above is the famed Hong Kong skyline.  I took this from atop 'The Peak' and the tall building in the middle is the International Finance Centre 2.  I like the way it stands in the middle of the picture, present but almost surreal.

This picture (or self portrait) was clicked using the self-timer.  I am usually averse to uploading my own pictures on the web but the reason I put this one out is that it rather faithfully displays the signs of impending middle age.  I feel that this picture captures me the way I think about myself.  Appears to be lost and am actually so most of the time!

This one is that of the Tian Tan Buddha perched atop the hills of Lantau Island of Hong Kong.  Again the self-timer came to my aid and did quite a job.  I placed the camera on the ground facing the sky and then placed a folded newspaper underneath it so that it tilted towards the statue.  I had no idea that this was the best angle possible.  Buddha appears to be handing out a pat on my shoulder to thank me for my efforts!!

Saturday, May 29, 2010

The Colosseum, Rome

A Wonder From Any Angle
By JAMES GARDNER
What does it take to rank as one of the seven wonders of the world? As a species, we delight in making lists, which is what drove Herodotus in the fifth century B.C. and Callimachus of Cyrene a century later to enumerate the seven wonders in the first place. With the single exception of the Great Pyramid at Giza, all of their marvels have been felled by time. But what seems to have united these monuments was a combination of staggering massiveness, inspired engineering and an iconic simplicity that rendered them instantly legible and rich in symbolic resonance.

For many centuries, the Colosseum in Rome has been on everyone's list of seven wonders, and it effortlessly meets the three requirements mentioned above. No matter how big you expect the Colosseum to be, in reality it proves to be even bigger. Shaped like a nearly perfect cylindrical drum, it is one of the very first things to amaze the newcomer to Rome, and it richly supplies one of the greatest delights of modern tourism: physical, touchable propinquity to what, before that instant, we had known our entire lives but only through the mediation of images and words. Seen from some distance along the Via dei Fori Imperiali—which Mussolini created in the 1930s to open up such a vista—it stands before you like an incarnated postcard.

That is how most visitors first experience the Colosseum in person. And usually it is the only way they see it, before they actually enter the site. But there is another way, as I learned by accident last summer. I had roused myself at the crack of dawn to visit a noble and undeservedly neglected ruin at the summit of the Esquiline hill, known as the Nymphaeum or Temple of Minerva Medica. It stands on Via Giolitti, next to the squalid railyards of Stazione Termini, Rome's answer to Penn Station. Today most of the Esquiline is off the tourist track, but it holds sundry charms. From the Nymphaeum, on the ancient site of the Gardens of Licinius, you pass through the Piazza Vittorio into the Gardens of Maecenas on the lower Esquiline, where you see the ruins of the Baths of Titus.

It was at this point, as I began to descend the Esquiline's steep southern spur, the Oppian Hill, that I saw in the distance a flash of marble or, more precisely, travertine. I thought nothing of it at first, since Rome abounds in marble-clad piles, mostly from the 19th and early 20th centuries. But as I continued, this length of bright stone, coming into focus as a catenary of composite pilasters, began to expand laterally, until it assumed an awesome, even monstrous size. For a moment it looked to be scarcely more than one story tall. It was only as I continued my descent in the hazy morning light that the structure gradually acquired additional stories beneath those composite pilasters, until my dawning intuition was triumphantly confirmed: I was standing over the Colosseum, looking down at it from an Olympian height nearly parallel to its summit. I was now seeing the Colosseum in an entirely new way.

Terrible things, surely, once happened here, from gladiatorial slaughter to the persecution of early Christians. But that must not obscure the fact that the Colosseum stands for much of what was best in the Roman state.

The location of the Colosseum, built by the Flavian emperor Vespasian and his sons and successors Titus and Domitian between A.D. 70 and 80, was as polemically important as its size and shape. For it rose over an artificial lake that the unbalanced Nero, their imperial predecessor, had ordered to be built in his private residence, the infamous Domus Aurea. To build it, Nero had seized, in the very center of the city, a parcel of land roughly two-thirds the size of Central Park. And beside the lake he erected an enormous statue of himself, a colossus, from which the new stadium would subsequently take its name. Thus in building the Colosseum, also known as the Flavian Amphitheater, Vespasian gave back to the people of Rome what Nero had taken from them. In the process, a symbol of high-handed autocratic excess under the last of the Julio-Claudians became a monument to Rome itself, built by the new dynasty.

In size, beauty of architectural detail and state of preservation, none of the empire's 250 other amphitheaters, whatever their present or former state, can compare with the Colosseum. Even though, for centuries, it had been plundered and stripped for raw materials; even though it has done duty as a fortress and a church; even though half of it was nearly sheered off by a sequence of earthquakes (largely restored by Raffaele Stern and then Giuseppe Valadier early in the 1800s)—the Colosseum still presents itself to contemporary viewers much as it did to their ancient predecessors.

In addition to much else, the Colosseum is the tallest structure to survive from classical antiquity. At 157 feet, it is roughly the height of an early skyscraper, a fact concealed by its great elliptical girth, ranging between 510 and 615 feet. Despite the fact that the Colosseum served a function as pedestrian as Madison Square Garden's, its external ornamentation is so refined, and yet so restrained, as to reflect credit upon the civilization and the dynasty that created it. The three stacked arcades—which rise from Doric to Ionic and Corinthian before concluding in a walled summit with composite pilasters—unfurl with the greatest delicacy and tact. The Colosseum could have been overbearing, but it is not. It could have been fussy and maladroit, but it is not. It is so perfectly balanced, so definitive, that one risks taking it for granted.

That sense of equipoise, so Roman in its restrained practicality, presages the rationalism and functionalism of modern architecture. But, in the U.S. at least, architectural vision is all too rarely expended on sports arenas. And as for the Colosseum's closest structural parallel in New York, Madison Square Garden, the less said the better.

—Mr. Gardner is a critic based in New York.

Monday, April 12, 2010

Delhi's Food Delights

Stumbled upon this bit about New Delhi's regional cuisines. Here is a list of the more prominent outlets with latest addresses and phone numbers:

Andhra Pradesh Bhavan (1 Ashoka Road, near India Gate; 91-11-2338-7499; aponline.gov.in/apportal/apbhavandotcom/Location.htm) is among the most popular spots. Open daily 7:30 to 10 a.m.; noon to 3 p.m.; 7:30 to 10 p.m. Dinner for two, about 160 rupees, or about $3.65.

Assam Bhavan (1 Sardar Patel Marg, Chanakyapuri; 91-11-2687-7111), in a small basement, serves fish and unusual vegetarian dishes like custard apple curry. Daily 1 to 2:30 p.m.; 8:30 to 10 p.m. Meal for two, about 120 rupees.

Jammu and Kashmir House (9 Kautilya Marg, Chanakyapuri; 91-11-2611-2021) is known for its lamb kebabs. Not to be confused with Jammu and Kashmir Bhavan. Daily 7 to 9 a.m.; noon to 2 p.m.; 7 to 10 p.m. Meal for two, about 180 rupees.

Kerala House (3 Jantar Mantar Road, near Jantar Mantar; 91-11-3041-1411) serves coconut-infused dishes in a peaceful setting. Though it is not officially open to the public, walk-ins are welcome. Daily 8 to 9:30 a.m.; 1 to 2:30 p.m.; 8 to 9:30 p.m. Meal for two, 80 rupees.

Nagaland House (29 Aurangzeb Road, near Delhi Race Course; 91-11-2301-5638) serves unusual pork dishes favored in this remote northeast state. Daily 8:30 to 11 a.m.; noon to 2 p.m.; 7 to 10 p.m. Meal for two, 220 rupees.

Sikkim House (14 Panchsheel Marg; Chanakyapuri; 91-11-2611-5171), across from the United States Embassy, draws the diplomat set. Daily 8:30 to 10:30 a.m.; 12:30 to 11 p.m. Meal for two, about 250 rupees.

Tamil Nadu House (Off Africa Avenue; Chanakyapuri; 91-11-2419-3100) serves South Indian fare in a basic canteen. Daily 8 a.m. to 10:45 p.m. Meal for two, about 150 rupees.

Monday, July 6, 2009

Which is your favorite cell phone with Camera, Mona?


So here I am after all the wait.  I behold - the Mona Lisa!! Of course like the hordes clicking away in the picture I too took her pictures.  But then I thought what must Ms Lisa must be thinking right now?  Whose phone is better than others! By the way I used a real camera and not a cellphone.


Van Gogh (Self Portrait)


Van Gogh self portrait (Musee d'Orsay, Paris, Feb 2009)
This was the second VG's self portrait that I have seen.  The first one I saw in the National Gallery of Art in Washington D.C.  They, err, look quite the same! I am quite an admirer of the VG paintings.  Would love to visit the VG museum in Amsterdam.  But Musee d'Orsay does have a lot of works by him and of course his close pal, Gaguin.


Sunday, July 5, 2009

Paris Pictures (Feb 2009)

Beggar (s) at St. Germain
I was in Paris in early February and by every yardstick it was cold.  Found these guys huddling together.

Monday, June 29, 2009

This is how you visit Paris!!! (UPDATED Dec. 17, 2010)

June 28, 2009
Frugal Paris
By MATT GROSS
WELL before midsummer, the sun sets late over Paris. Even at 9 p.m., you can sit on the banks of the Canal St.-Martin in the 10th Arrondissement, and see in the still water the reflection of the sky, a blue mottled with thin clouds, and the low pale buildings with their amber lights just turned on, and the ruffled, fractal edge of the trees in full green bloom. Night seems as if it will never come.

By the water, there is a small pink dot of a helium balloon, bobbing in the intermittent breeze. The balloon is key. It was given to you by Pink Flamingo, a pizza parlor down the nearby Rue Bichat, whose bicycle deliveryman will use it as a beacon to locate you and present the five pies you’ve ordered (10.50 to 16 euros each). They’re not all for you, of course — you’ve got friends to help eat the pizza and drink the four bottles of red wine (40 euros) you picked up from Le Verre Volé, a wine bar across the canal.

You’ll love the pizza’s quirky toppings — the Poulidor’s goat cheese and sliced duck breast, the bacon-and-pineapple Obama — and the earthy pinot noir. But finally it will be dark and you’ll be more than tipsy and your friends will be heading home by Métro, by Vespa and by Vélib’, the city’s rental bicycle system.

And you, you’ll take off on foot, up along the canal toward Belleville, where Asian, Arab and African immigrants live alongside artists and yuppies and bobos. And you’ll climb the stairs at the Hipotel Paris Belleville and collapse into the single bed of your spartan room, not caring that the toilet is in a smelly closet down the hall, because the sheets are clean, the rate is dirt cheap and you’ve just experienced the most wonderful, traditional and frugal activity in the City of Light — the picnic.

The picnic is the great democratizing institution of summer, when Parisians spill onto riverbanks and bridges and into parks and gardens, chasing away the memories of winter and rain with baguettes and bottles, sandals and sundresses. For the wealthy, picnics are a lark, for the less wealthy an escape, and for this Frugal Traveler, who spent nine days in Paris at the end of May and early June, proof that classic Parisian indulgence doesn’t have to cost a fortune.

In fact, this idea that Paris is expensive has always struck me as odd. Of course, it can be, if your conception of Paris is built on haute couture and Michelin stars. But Paris — the physical as well as the cultural — is the creation less of the moneyed nobility than of the strivers, schemers, hustlers, freeloaders and starving artists who roam its streets, sing chansons on its subways and make tiny cups of coffee last hours at zinc counters. When I imagine Paris, I think of Émile Zola, the 19th-century novelist whose based-in-reality characters — from ambitious laundresses to real-estate speculators — are, in their own way, just as responsible as Napoleon III and Baron Haussmann for transforming it into the grand, boulevarded city we know today.

I also think of Ernest Hemingway, whose “A Moveable Feast”— a “restored” version is being published this summer by Scribner — is the ur-text of rose-tinted Parisian poverty, a collage of scenes in which the young novelist starves for his art in a cold-water apartment, yet somehow manages to enjoy ski trips to Austria, bottles of good white Mâcon and platters of oysters.

Of course, Hemingway didn’t spend the rest of his life in a dingy garret (hello, Key West!), and neither would I. In the spirit of Parisian strivers past and present, my plan was to switch hotels every few days, starting with cheapest but (I hoped) still recommendable bed I could find, and moving my way up to grander and fancier digs — while, of course, staying well under 100 euros a night. In a twisted kind of way, I wanted to develop a bit of Baudelairean “nostalgie de la boue,” or nostalgia for the gutter — a romantic vision of poverty that can only really be embraced after climbing out of privation.

My descent into Paris’s lower rungs began at the allegedly two-star Hipotel, which I found through my trusty European hotel guide, EuroCheapo.com. The photos were sharp, the location decent and the price (32 euros a night, or about $44 at $1.41 to the euro) terrific, and the poor reviews on TripAdvisor only fed my dream of finding the ideal, undiscovered hovel. Dream on. When I arrived around 11 a.m., there was no one at the front desk and the hallways were just clean enough to dissuade complaint. After lugging my suitcase up a flight of stairs (what, did I expect an elevator?), I found the corridor dark, the light switches dangling on exposed wires.

The room was, in the French description, a “simple.” I had a desk, a bed, a sink, mismatched hangers and a single window that let in some welcome daylight. The only towels were hand towels, and the shower was down the hall, in a locked, windowless closet whose key I had to request at the front desk. It was bad, but neither hilariously bad nor charmingly bad. At least I was well situated, around the corner from the Colonel Fabien Métro stop and walking distance from other neighborhoods.

Because of this, I spent little time in Belleville. Instead, as always seems to happen, I wound up wandering the Marais, the former Jewish quarter that straddles the Third and Fourth Arrondissements and has, in the past 15 years, become home to innumerable galleries and fashionable boutiques. It’s also one of the few neighborhoods relatively untouched by Haussmannian urban planning. The streets remain narrow and chaotic, and feel more so because of the masses of tourists bumbling about.

But though it now defines the beaten path, the Marais still holds, if not secrets, then overlooked — and inexpensive — delights. Chief among them is the Carnavalet, one of 14 free museums run by the city, this one focusing on the history of Paris itself. In a conjoined pair of opulent 16th- and 17th-century mansions, dozens of exhibitions track the city’s evolution, from prehistory (represented by fossilized canoes) to the Middle Ages to relatively modern times (a niche containing Proust’s bedchamber). I was captivated by an 1890 painting of the Canal St.-Martin, looking almost as it does today, mirroring the lights of buildings at night, but also by a 16th-century painting of an anti-Henri IV march by soldiers and priests at the Place de Grève. All around them, everyday city life thrives — men cut wood, repair boats and fight over a pig.

AS I visited museums, I even tried skipping lunch à la Hemingway, who claimed fasting helped him concentrate on the Cézannes in the Musée du Luxembourg — “to see truly how he made landscapes.” My hunger, meanwhile, let me focus not on Cézanne but on the Museum of Hunting and Nature, free the first Sunday of every month. (The Louvre, the Musée d’Orsay and others offer the same deal, which President Obama took advantage of at the Pompidou.) My stomach empty, I explored this strange collection of taxidermied animals, read arcane lore (in late medieval France, I learned, deer had to be hunted nobly, but you could catch wolves deviously) and admired works of contemporary art — like a Jeff Koons puppy — among the stuffed relics.

Two nights in the garret, however, was enough — I was ready to upgrade my Paris life. I moved into the Hôtel des Arts Bastille, a fine old seven-story building with a mansard roof, Juliet balconies, an elevator and, what I was most excited by, ensuite bathrooms. I’d found it through Kayak.com and picked it for its looks (rooms with jaunty orange highlights), location (close enough to Bastille to be accessible, but far enough from the noisy bars) and, above all, its price: 60 euros a night, if I booked for three nights. Compared with the Hipotel, it felt like a five-star.

After checking in, I cracked open the tall double windows that looked down on the quiet street and breathed deeply. The air did not smell like a toilet. There was no hammering from next door. There was absolutely nothing wrong with this place — but maybe nothing truly special, either.

Once I settled into these plusher surroundings, I felt ready to indulge in a slightly better life. The sandwiches au jambon I’d been buying for a few euros from nameless street vendors were great, as were the half-dozen fines de claire oysters I’d consumed at a stand outside the Montgallet Métro (8 euros, including bread, butter and wine), but I’d been dying for a traditional French bistro meal.

Thanks to one of my Twitter followers, @webcowgirl, I found Bistrot Victoires, about halfway between the Louvre and Opéra. The décor was classic — zinc bar, huge mirrors, wood paneling, brass trim — and so was the food. My grilled rib-eye (11 euros) came topped with burning thyme, the embers glowing red, the smoke a haunting perfume. The Côtes du Rhône (13.75 euros a bottle, shared with my three lunch mates) paired nicely, and the crème brûlée (5 euros) was, as the French say (and are than happy with), correct.

My craving sated, I worked up the courage to go shopping. The flea markets provided many bargains (which I’ll describe in detail this Wednesday on my blog), but I found other options, too.

À Chacun Son Image, for example, was a trove of anonymous found photographs (5 euros and up) of midcentury beachgoers, World War I veterans, dinner parties where half the attendees have their eyes closed — all regular people contributing to a romantic, black-and-white image of Paris past.

Paris past also turned up at Native Kingdom, a newly opened vintage children’s clothing store in the upper Marais, where I bought my daughter a striped Petit Bateau bikini bottom (only 4 euros!), and the shop’s owner, Ema Caillon, wrapped it up in pink tissue paper held together with a pretty toy bird clip.

More slightly outdated fashions were available at the A.P.C. surplus store in Montmartre. A.P.C. virtually defines a certain type of fashionable Parisian — equal parts sharp tailoring and street style — but six months after the clothes hit stores, if they haven’t sold they move up to the Montmartre outlet and go on sale at 50 percent off. Eighty euros still isn’t cheap for a hooded windbreaker, but definitely more tempting than the original price.

When evening began to fall, hunger became an issue again. I’d stave it off a bit with a drink at Le Baron Rouge, a bar in an old working-class neighborhood where most of the nearly 50 wines cost less than 3.50 euros, or at Chez Georges, the kind of ancient dive that’s been sustaining impoverished drinkers for decades. (“I used to go there when I was 18!” wrote one friend, now 39, in response to my e-mail invitation.) It’s easy to see why. Beers are 2 euros, kirs 2.50, and all are welcome, from old-timers who wander in and out, to hip kids who groove to the D.J.’s turntables under the stone arches in the basement. In my mind, I saw it as an assommoir, or gin mill, from one of Zola’s novels.

But eventually, I had to eat, and though I loved the picnics — say, on the Pont des Arts, a pedestrian bridge that crosses the Seine west of the Pont Neuf — occasionally I wanted to sit down in an actual chair. Well, Churrsaqueira Galo, a Portuguese restaurant on a forlorn stretch of the Ninth Arrondissement, recommended by the Paris-based American cookbook author David Lebovitz, had chairs. And tables. And that was about it: there was no décor to speak of, just white walls and, in one room, a steel rotisserie. But it also had beyond-hearty helpings of roast chicken, pork ribs, steaks, lamb, rice, fries, salad and an herb-flecked hot sauce, most for 10 euros or less. It was the kind of place where, if I lived in the neighborhood, I’d feel guilty for going there so often. (Maybe.)

The décor at Spring, one of the hottest tables in the city, was pared down as well, but in a far fancier and more expensive way. Opened two and a half years ago by Daniel Rose, a 32-year-old American chef who has already become a Paris legend, it featured a 48-euro menu (gray-shrimp marmalade, sole beignets), just 16 seats and a monthlong waiting list for reservations. How did the Frugal Traveler get in? On a no-reservations Saturday, when Mr. Rose serves a discount menu of lobster rolls (23 to 28 euros, depending on the market price) and duck-fat French fries (5 euros).

Champagne, wine and macvin (a wine fortified with grappa from the Jura) flowed long after Spring should have closed, but Mr. Rose’s friends and customers kept strolling in, including one stunning woman in evening dress who clutched her nonexistent potbelly and declared, mixing French and English, “Je suis full!” So was I. (Spring is in flux right now as Mr. Rose is shifting it to a new location in January.)

And so it went most nights. A good, inexpensive meal with friends, maybe a visit afterward to a wine bar like Le Garde Robe, where the bartender suggested one of my all-time favorite bottles, the rough and punchy 2001 Domaine Maria Fita (24 euros), and plunked down a baguette and a slab of gnarly terrine. And then I’d walk through the empty streets — watching the occasional Vélib’ rider cruise past, or dodging the raindrops that dripped through the trees — to whichever hotel I was staying in that night.

That stroll was, my last two nights, particularly joyful, as I was heading for the 40-room, family-owned Les Chansonniers. After holding my nose at the Hipotel, and feeling simply satisfied at the Hôtel des Arts, I was ready for a dose of Parisian luxury (okay, affordable luxury). I’d found Les Chansonniers — off in far-flung but Métro-accessible Ménilmontant, between Belleville and the Père-Lachaise Cemetery — through EuroCheapo, and I’d fallen for its beauty, its affordability (my room, one of the hotel’s best, cost 82 euros a night) and its theme: the great French singers of old, almost all of whom were, at one point or another, starving artists.

I dragged my old rolling duffel there from the Hôtel des Arts as a light rain beginning to fall. I checked in (the clerk even complimented my French!) and climbed the stairs to my room, the Mistinguett, named for the singer who started out selling flowers on the street and a couple decades later was insuring her legs for 500,000 francs.

When I walked in the door, I felt suddenly, weirdly out of place. The bed was big and soft, covered in a thick, tastefully pink duvet. Rose-patterned toile de Jouy wallpaper added to the romance, and in the huge bathroom I spied a whirlpool tub. (Towels, too!) After a week of striving, I’d hit the big time, and I wasn’t sure I was ready for it. I almost felt as if I couldn’t simply relax there — as if this was someone else’s room and I didn’t want to mess it up. One afternoon, I brought home a merguez sandwich (4.50 euros) and ate it carefully, afraid of what the housekeepers might think if they found crumbs in the sheets.

It wasn’t until my last morning in Paris that I put that whirlpool bathtub to its proper use. There, with the hot water whooshing around me, I examined the intricate details of the tiled wall and felt what I imagine Hemingway, Piaf and every other striver who made it felt — that despite the challenges of poverty, self-imposed or circumstantial, the days of denial had made this final indulgence that much sweeter (especially, in my case, since I still wasn’t spending much). Life in Paris on a low budget could be tough, could be frustrating, could involve long walks, bad meals, rudeness and discomfort. It was certainly no picnic — except, of course, when it was.

IF YOU GO

HOW TO GET THERE

Many airlines fly nonstop between New York City and Paris. A recent Web search found Air France flights from Kennedy Airport into Charles de Gaulle from $900 in July.

HOW TO GET AROUND

The Vélib’ bicycle-rental system has become exceedingly popular. Rental stations are located all around the city, and a one-hour rental costs only 1 euro.

The Métro is the best alternative (besides walking). Tickets are 1.60 euros each, but can be bought in packets of 10 (un carnet) for 11.40 euros, about $16 at $1.41 to the euro. If you’re going to be in Paris from Monday through Sunday, or plan to ride the Métro frequently, invest in a swipable Navigo card. The card itself costs 5 euros, and a weeklong unlimited credit is 16.80 euros. Hold on to the card when the week is up — you can use it on your next visit.

WHERE TO STAY

Hipotel Paris Belleville, 21, rue Vicq d’Azir, (33-1) 4208-0670; singles from 32 euros.

Hôtel des Arts Bastille, 2, rue Godefroy Cavaignac; (33-1) 4379-7257, www.paris-hotel-desarts.com; doubles from 59 euros.

Les Chansonniers, 113, boulevard de Ménilmontant; (33-1) 4357-0058, doubles with shared bathroom from 46 euros, with ensuite bathroom from 59 euros.

WHAT TO SEE

Musée Carnavalet, 23, rue de Sévigné;(33-1) 4459-5858; www.carnavalet.paris.fr, free admission.

Musée Cognacq-Jay, 8, rue Elzévir; (33-1) 4027-0721; www.cognacq-jay.paris.fr., free admission.

Musée de la Chasse et de la Nature, 62, rue des Archives; (33-1) 5301-9240, www.chassenature.org; admission 6 euros, free the first Sunday of every month.

WHERE TO EAT & DRINK

Pink Flamingo, 67, rue Bichat; (33-1) 4202-3170; www.pinkflamingopizza.com

Le Verre Volé, 67, rue de Lancry; (33-1) 4803-1734; www.leverrevole.fr.

Bistrot Victoires, 6, rue de la Vrillière; (33-1) 4261-4378.

Chez Georges, 11, rue des Canettes; (33-1) 4326-7915.

Le Baron Rouge, 1, rue Théophile-Roussel, (33-1) 4343-1432.

Churrasqueira Galo, 69, rue de Dunkerque, (33-1) 4874-4940

Le Garde Robe, 41, rue de l’Arbre Sec, (33-1) 4926-9060.

Le Cul de Poule, 53, rue des Martyrs, (33-1) 5316-1307, is super-playful from its name (literally, chicken butt; figuratively, double-boiler) to its décor (orange chairs, bed-like banquette). But the cooking is serious, precise, creative and affordable, with two courses 23 euros, and three for 26.

Le Bar à Soupes, 33, rue de Charonne; (33-1) 4357-5379; www.lebarasoupes.com, offers an excellent lunch deal: a fresh market soup, two types of cheese, bread and a glass of wine for 9.90 euros.

WHERE TO SHOP

À Chacun Son Image, 35-37, rue Charlot, (33-665) 2395-0300; achacunsonimage.wordpress.com.

Native Kingdom, 24, rue de Poitou

A.P.C. Surplus, 20, rue Andre del Sarte; (33-1) 4262-1088; www.apc.fr.

MATT GROSS writes the Frugal Traveler blog at nytimes.com/travel.

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December 16, 2010


36 Hours in ParisBy GISELA WILLIAMS

HAS Paris lost its edge? Mais non! The city’s bohemians are just harder to find. The artsy denizens and creative tastemakers, always on the hunt for cheaper rents, have migrated to the city’s fringes, like Belleville and the former red-light district of Pigalle. There are even fashion-forward hangouts in the postcard-perfect center — a pop-up restaurant here, a taxidermy-stuffed speakeasy there. And, of course, a modern take on the classic Parisian bistro or boulangerie will never go out of style.

Friday

4 p.m.

1) GALLERY GHETTO
The ghosts of Paris’s master artists are everywhere, but if you want to dive into the city’s contemporary art scene, head to Belleville, where the steep hilltop streets are dotted with upstart galleries and cozy wine bars. Among the earliest galleries was Bugada & Cargnel (7-9, rue de l’Équerre; 33-1-42-71-72-73; bugadacargnel.com), which specializes in both French and international emerging artists. Newer arrivals include Gaudel de Stampa (3, rue de Vaucouleurs; 33-1-40-21-37-38; gaudeldestampa.fr) and Marcelle Alix (4, rue Jouye-Rouve; 33-9-50-04-16-80; marcellealix.com). For a mix of art and fashion, swing by Andrea Crews (25, rue de Vaucouleurs; 33-1-45-26-36-68; andreacrews.com), where vintage duds are transformed into fast fashion.

6 p.m.

2) LA BOHèME WINE BAR

Perched above the Belleville park, Le Baratin (3, rue Jouye-Rouve; 33-1-43-49-39-70 ) is an unpretentious and intimate wine bar with antique tile floors and worn wood tables. Despite the local buzz, it has managed to stay low-key, so it’s still possible to walk in at an odd hour, sans reservations, and join the bohemian crowd as they sample the dozen or so small-production wines, scratched on the chalkboard.


8:30 p.m.

3) CHIC BISTRONOMIQUE

Here’s the trick to getting a table at always-packed Le Chateaubriand (129, avenue Parmentier; 33-1-43-57-45-95). Park yourself at the bar around 8:30 p.m. the day of, and fortify yourself with wine and snacks — and people watching — while you wait for a table. It’s first come first served for the 9:30 seating. (Otherwise, you have to make reservations at least two weeks in advance for the 7:30 seating.) The young Basque chef, Iñaki Aizpitarte, serves a five-course menu that changes daily. Recent meals included a foie gras served in miso soup, and a sea bass served with red chicory and lemon crème fraîche. Prix fixe: only 50 euros, or $65 at $1.31 to the euro.

Midnight

4) RED LIGHT SPECIAL

In recent years, the area around Pigalle has drawn Parisian tastemakers looking for a good time — with their clothes on. Start with a drink at Hôtel Amour (8, rue de Navarin; 33-1-48-78-31-80; hotelamourparis.fr), an artsy hotel decorated with disco balls and Terry Richardson photographs that is partly owned by the reigning king of Paris night life, André Saraiva. Then continue to Chez Moune (54, rue Jean Baptiste Pigalle; 33-1-45-26-64-64; chezmoune.fr), a former lesbian cabaret that is now a popular hangout for the city’s polysexual fashionistas.

Saturday
11 a.m.

5) WHERE LADY GAGA SHOPS

By now, you can pretty much find those Lanvin flats and Céline bags back home. But Bambi-shaped shoes? Or a Kermit the Frog jacket? The aristocrat fashion designer Jean-Charles de Castelbajac has a new boutique in St.-Germain (61, rue des St.-Pères; 33-9-64-48-48-54; jc-de-castelbajac.com) where fashion inspiration comes from unexpected places, like “Paradise Lost” and Donald Duck.


Noon

6) POP-UP BISTRO
Even jaded Parisians have waited weeks for one of the 12 seats at the pop-up restaurant Nomiya (13, avenue du Président Wilson; online reservations at art-home-electrolux.com), a glass box that floats on the rooftop of the Palais de Tokyo. Instead of dinner, come for lunch, when seatings are easier to come by, and the views are more spectacular. The five-course meal cooked up by Gilles Stassart might include foie gras with eggplant confit and scorpion fish served with a vegetable medley (80 euros for lunch and 100 euros for dinner). Nomiya’s run has been extended until spring 2011.

2 p.m.

7) SHOP THE CANAL
On sunny weekends, stylish young families and boho-chic couples stroll the gentrified Canal St.-Martin — fast becoming a charming little shopping hood of indie boutiques. Dupleks (83, quai de Valmy; 33-1-42-06-15-08; dupleks.fr) sells eco-friendly fashions, Espace Beaurepaire (28, rue Beaurepaire; 33-1-42-45-59-64; espacebeaurepaire.com) carries street-art prints, and La Piñata (25, rue des Vinaigriers; 33-1-40-35-01-45; lapinata.fr) has wooden children’s toys. Style hounds especially like Sweat Shop (13, rue Lucien Sampaix; 33-9-52-85-47-41; sweatshopparis.com) , a funky D.I.Y. collective and cafe with sewing machines to rent by the hour.

4 p.m.

8) SAVORY AND SWEET
One bite, and you’ll understand why there’s a long line outside Du Pain et Des Idées (34, rue Yves Toudic; 33-1-42-40-44-52; dupainetdesidees.com), a cultish boulangerie in the Canal St.-Martin neighborhood. The escargot chocolat-pistache, a snail-shaped pastry filled with chocolate and pistachio, will shatter the will of any dieter. So will the mini-pavés, savory knots stuffed with spinach and goat cheese.

8 p.m.

9) AMERICAN TRANSPLANTS

Paris-obsessed food bloggers will roll their eyes, but Spring (6 Rue Bailleul; 33-1-45-96-05-72; springparis.blogspot.com), an intimate restaurant that moved this summer to the First Arrondissement, deserves the hype. The French-trained American chef Daniel Rose takes something as simple as eggplant and prepares it four eye-opening ways. Dinner prix-fixe menu: 64 euros. If you can’t make reservations months ahead of time, head to the newly revamped Minipalais (Grand Palais, Avenue Winston Churchill; 33-1-42-56-42-42; minipalais.com), a loft-like brasserie with an American-friendly menu that includes a terrific duck burger with foie gras. Or try the new Ralph’s (173, boulevard St.-Germain; 33-1-44-77-76-00; ralphlaurenstgermain.com), owned by Ralph Lauren in St.-Germain, which, believe it or not, is fashionable with a young Parisian crowd.

Midnight

10) LE CHIC ET LE GEEK

Ever since the legendary Le Montana reopened during last spring’s fashion week, le party hasn’t stopped. Resurrected by André Saraiva (yes, him again) and Olivier Zahm, Le Montana (28, rue St.-Benoît) draws an A-list crowd of models and actors. But be warned: getting past the bouncer is harder than squeezing into jeggings. Fortunately, a 20-minute walk away is the geeky hot spot Curio Parlor (16, rue des Bernardins; 33-1-44-07-12-47; curioparlor.com), a speakeasy-style lounge popular with a chic Parisian crowd that sips single malt whiskey.


Sunday

11 a.m.

11) GRASS IS GREENER

Since the historic dance hall and watering hole Rosa Bonheur reopened in 2008 (2, allée de la Cascade, in the Parc des Buttes-Chaumont; 33-1-42-00-00-45; rosabonheur.fr), it has brought the city’s party crowd to the great outdoors. By day, middle-aged hippies strum guitars alongside hungover clubkids. By night, it turns into a full-fledged party complete with velvet rope and D.J. This winter the party continues inside with the restaurant Mimi Cantine overseen by the Michelin-starred chef Armand Arnal.

1 p.m.

12) FANTASTIC MR. FOX

Blame it on Wes Anderson movies or an obsession with the cult taxidermy shop Deyrolle, but nothing gets a Parisian bohemian more excited than a room filled with stuffed animals. Get your fix at the Musée de la Maison de la Chasse et de la Nature (62, rue des Archives; 33-1-53-01-92-40), a quirky museum with an eccentric collection of taxidermy and antique weaponry. There is also a room dedicated to unicorns, which adds just the right amount of je ne sais quoi to the intentionally musty space.

IF YOU GO

Give Philippe Starck two years, a jaw-dropping budget and a grand Parisian shell, and you get the new Raffles Royal Monceau (37, avenue Hoche; 33-1-42-99-88-00; leroyalmonceau.com). Steps from the Arc de Triomphe, the 85-room hotel leaves no detail too small to escape the designer’s touch, with rates from 780 euros, or $1,000.


For a taste of the seedy-cool district of Pigalle, book a room at the Hôtel Amour (8, rue Navarin; 33-1-48-78-31-80; hotelamourparis.fr), the brainchild of the graffiti artist turned nightclub entrepreneur André Saraiva and Thierry Costes of the Costes family. Rooms start at 100 euros.

The year-old Hotel Banke (20, rue La Fayette; 33-1-55-33-22-22; derbyhotels.com/banke-hotel-paris), near the Place Vendôme, combines Belle Époque-style architecture with not overly trendy touches, with 94 rooms starting at 260 euros in December.